Cast members of the Blyth Festival’s 2025 production of Radio Town: The Doc Cruickshank Story sing and play musical instruments in a Christmas scene.

2025 Year-End Appeal

You’ve Built Something to Last

Help protect 51 years of Canadian storytelling. Make your year-end gift by December 31.

Or call 1.877.862.5984
10 am – 3 pm | Phones staffed until December 21st

Across Canada, artists and arts organizations are bracing for a difficult year ahead. Funding cuts loom, and the future of Canadian storytelling feels more precarious than ever.

But stories are not optional. They are how we understand ourselves — our history, our contradictions, and the communities that bind us together.

At the Blyth Festival, we’ve spent 51 years telling these stories from the ground up, rooted in the lives and landscapes of rural Canada. And through it all, you’ve stood beside us.

Or call 1.877.862.5984
10 am – 3 pm | Phones staffed until December 21st

Gill

Artistic Director Gil Garratt

What You’ve Built Already

Because of your support, the Blyth Festival has created 158 new Canadian plays — roughly one quarter of all new plays commissioned through the Playwrights Guild of Canada.

That’s a legacy of belief and action: audiences filling the seats, donors sustaining the work, and artists bringing our stories to life.

In 2025, that legacy continued to grow. Emma Donoghue’s The Wind Coming Over the Sea sold out its summer run and enjoyed a full fall extension. Radio Town: The Doc Cruickshank Story became a sleeper hit, drawing hundreds of first-time patrons.

None of this happens without you.

The Wind Coming Over the Sea by Emma Donoghue. 2025. Set & lighting: Ken MacKenzie. Costumes: Meghan Choma. Photo: Lyon Smith.

Radio Town: The Doc Cruickshank Story by Nathan Howe. 2025. Manzo. Set: Glenn Davidson. Costumes: Laura Delchiaro. Photo: Terry Manzo.

Or call 1.877.862.5984
10 am – 3 pm | Phones staffed until December 21st

Why We’re Asking Now

Canada’s entire arts sector is facing uncertainty. With costs rising and public funding stretched thinner every year, we need to build a small but vital buffer to protect the work ahead.

That’s why, for the first time in our history, we’re launching a Year-End Appeal to raise $50,000 by December 31.

Your donation will help:

  • Keep commissioning and developing new Canadian plays
  • Support local actors, artisans, and storytellers
  • Protect the heart of our New Play Development Program

Or call 1.877.862.5984
10 am – 3 pm | Phones staffed until December 21st

Your Gift Makes It Possible

  • $100 helps fund an actor for a 4-hour workshop of a new play
  • $250 covers travel to bring an artist to Blyth to workshop a new play
  • $500 helps pay for workshop, audition, or rehearsal space in the city
  • $1,800 covers an actor’s fee and housing for one week in Blyth

Every gift, at every level, helps ensure that Canadian stories continue to be told — right here, at home.

The Outdoor Donnellys by Paul Thompson, Janet Amos and the Company. 2002.

Or call 1.877.862.5984
10 am – 3 pm | Phones staffed until December 21st

With Gratitude

Thanks to you, the Blyth Festival isn’t just a theatre — it’s a living, breathing act of belief in Canadian identity.

From all of us here at Blyth: thank you for standing with us, for believing in our artists, and for keeping this Canadian legacy strong.

Blyth Festival is a registered Canadian charity, supported by you. All donations above $20 receive a full tax receipt.

Or call 1.877.862.5984 
10 am – 3 pm | Phones staffed until December 21st 

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