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Heidi Chan

Role: Sound Design & Original Music
Categories: The Trials of Maggie Pollock - Creative Team

Heidi Chan composes and performs music, and designs sound for theatre and dance. Heidi plays bamboo flutes, percussion (including Japanese taiko drums), and modular synthesizers. 

For Blyth: Wing Night at the Boot (2018), Team on the Hill (2019), Café Daughter (2021).

Select theatre credits: Titus Andronicus 2.0, Macbeth (Tang Shu-Wing Studio, Hong Kong); Midsummer Night’s Dream (Shakespeare’s Globe, UK); Iphigenia and the Furies (On Taurian Land) (Sagacollectif/Architect/Passe Muraille); The Tempest (Company of Fools); Trojan Girls and the Outhouse of Atreus, No Save Points (Outside the March); Anahita’s Republic (Bustle & Beast); A Number (That Arts Group); Waterfall (Theatre Gargantua).

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